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    1. 喬托·迪·邦多內2739810,69,1133267334766398888原始文藝復興藝術家喬托·迪·邦多內(Giotto)專題網站http://img05.img.mei-shu.net/Uploads/sjmh/giotto/giotto_ckbf52lamj2.jpg

      喬托·迪·邦多內(Giotto)

      喬托·迪·邦多內(Giotto)

      藝術家: 喬托·迪·邦多內

      生于: c.1266;意大利佛羅倫薩

      卒于: 1337年1月08日;意大利佛羅倫薩

      國籍: 意大利

      流派: 原始文藝復興

      領域: 繪畫,壁畫,建筑學

      受影響: Byzantine Art

      影響: Proto Renaissance,瓊斯·克里門特·奧羅茲柯,Cennino Cennini,保羅·高更,米開朗基羅,威廉·霍爾曼·亨特,安布羅吉奧·洛倫澤蒂,彼得羅·洛倫澤蒂

      老師: Cimabue

       

      被認為是意大利文藝復興時期第一位藝術家之一,喬托·迪·邦多納是一位有才華的畫家和建筑師。他的作品不僅因其建筑風格和題材而聞名于世,而且他還受到同時代人的喜愛,其中包括意大利詩人Boccaccio和薩切蒂,以及阿利蓋利·但丁,他在著名的《神曲》中提到了這位藝術家的名字。據說米徹朗噢還研究了佩魯濟教堂的壁畫。他在傳統的拜占庭風格的突破下,通過準確地借鑒生活中的繪畫技巧而被人們銘記。他帶著典型的拜占庭風格的細長臉和風格化的服裝走開了,相反地,在實際觀察的基礎上,結合了三維的形式,并以真實的重量自然地掛起衣服。他打破傳統,為他創造了一種新的具象繪畫標準。他通過創造真實的面孔和真實的情感,積極地邀請觀眾進入現場。雖然他是意大利著名文藝復興時期的畫家,但他的生活卻神秘莫測。他的出生日期、出生地、外貌、他創作作品的順序以及埋葬地點都飽受爭議。歸功于他的許多作品實際上可能不是他的作品,這一事實讓藝術史學家一直猜測著在他生前意大利的許多壁畫。他的兩件作品是佛羅倫薩大教堂的坎帕尼耶鐘樓和帕多瓦競技場教堂的壁畫,這些作品肯定是他的作品。后者的壁畫被認為是文藝復興早期的最高杰作之一,因為它們結合了喬托的風格以及他對神圣圣經故事的解讀。

       

      Artist :Giotto

      Additional Name :Giotto di Bondone

      Born : Florence, Italy

      Died : Florence, Italy

      Nationality :Italian

      Art Movement :Proto Renaissance

      Field :painting,fresco,architecture

      Influenced by :artists-by-art-movement/byzantine-art

      Influenced on :artists-by-art-movement/proto-renaissance,jose-clemente-orozco,cennino-cennini,paul-gauguin,michelangelo,william-holman-hunt,ambrogio-lorenzetti,pietro-lorenzetti

      Teachers :cimabue

      Considered one of the first of the Italian Renaissance artists, Giotto di Bondone was a talented painter and architect. Not only are his works celebrated today for their architectural style and subject matter, but he was also renowned by his contemporaries, including the Italian poets Boccaccio and Sacchetti, and Dante Alighieri, who mentioned the artist by name in his famous book The Divine Comedy. Michelango is also said to have studied his frescoes in the Peruzzi Chapel.

      Giotto is most remembered for his break with the traditional Byzantine style, and by introducing the technique of drawing accurately from life. He went away with the typical Byzantine style of elongated faces and stylized clothing, and instead incorporated three-dimensional forms, based on real observation, and garments hanging naturally with real weight. All of his breaks from tradition earned him the reputation of creating a new standard of representational painting. He actively invited the viewer into the scene by creating real human faces and real emotion.

      Although he is a highly renowned Italian Renaissance painter, his life is surrounded in mystery. His date of birth, place of birth, appearance, the order in which he created his works, and his burial location are all clouded in controversy. Many of the works ascribed to him may not actually be his, a fact which keeps art historians guessing at many frescoes in Italy during the period in which he was alive. Two of his works, which are known for sure to be his, are the Campanille bell tower of the Florence Cathedral and the frescoes in the Arena Chapel in Padua. The latter frescoes are considered to be one of the supreme masterpieces of the Early Renaissance period, as they incorporate both Giotto’s style as well as his interpretation of sacred bible stories.

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      喬托·迪·邦多內

      喬托·迪·邦多內

      Giotto(c.1266-1337)
      原始文藝復興藝術家喬托·迪·邦多內(Giotto)專題網站

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