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    1. 讓·奧古斯特·多米尼克·安格爾271041032673292124903988新古典主義藝術家讓·奧古斯特·多米尼克·安格爾(Jean Auguste Dominique Ingres)專題網站http://img05.img.mei-shu.net/Uploads/sjmh/jean-auguste-dominique-ingres/jean-auguste-dominique-ingres_sm2hvlqxona.jpg

      讓·奧古斯特·多米尼克·安格爾(Jean Auguste Dominique Ingres)

      讓·奧古斯特·多米尼克·安格爾(Jean Auguste Dominique Ingres)

      藝術家: 讓·奧古斯特·多米尼克·安格爾

      生于: 1780年8月29日;蒙托邦,湖,河,法國

      卒于: 1867年1月14日;法國巴黎

      國籍: 法國

      流派: 新古典主義

      領域: 繪畫,繪畫

      受影響: 尼古拉斯·普桑

      影響: Tamara de Lempicka,Mark Ryden,保羅·高更,埃德加·德加,皮耶爾·奧古斯特·雷諾阿

      老師: 雅克-路易·大衛

      機構: 美術學院、法國巴黎美術學院,巴黎,法國


      Jeang-IgRes是法國新古典主義畫家,他認為自己是法國學術正統派的保護者,并反對浪漫主義的日益盛行。他還認為浪漫主義運動的領袖,Eugene Delacroix,他的藝術復仇女神。也許他對古典繪畫風格的強烈保護與他早期教育的終結有關。11歲時,法國大革命開始了,破壞了他傳統的童年,這成為了不安全的常態。作為一名初露頭角的藝術家,英格里斯能夠觀察許多比利時、荷蘭和西班牙的著名藝術品,這些藝術品在拿破侖的功勛中被掠奪,并被保存在盧浮宮。他自由地借用他們的古典詮釋,并在自己的藝術中使用技巧,導致許多批評家指責他掠奪過去。正是在這種情況下,他第一次向巴黎沙龍提交的申請受到了非常嚴重的影響。英格斯的恥辱太深了,他發誓永遠不會回到巴黎。在他早期的藝術生涯中,他的繪畫風格,強調色彩的純潔,沒有像浪漫主義繪畫那樣運用色彩和陰影的漸變,導致了許多不好的評論。具有諷刺意味的是,只有他如此憎恨的浪漫主義藝術家才認識到恩格斯的才華。在Napoleonic帝國末尾,英格斯發現自己沒有贊助和身無分文。他通過為英國游客畫圖畫而幸存下來,其中許多游客是他最好的作品之一。1824,他出示了路易斯十三世的誓言,引起了他的好評,使他廣受歡迎。甚至他早期的作品,都是他丟臉和丟臉的作品,被譽為杰作,分布廣泛。有一個故事說,Ingres最喜歡的學生之一,西奧多·查塞里奧,Ingres認為他最喜歡的學生之一,幾年后回到他的老師那里,表現出了浪漫主義的傾向。英格斯很快就拒絕了他的學生,從此再也沒有對他說好話了。他的成功導致了古典主義和浪漫主義的遺產,創造了古典繪畫的標準。



      Artist :Jean Auguste Dominique Ingres

      Additional Name :Jean Auguste Dominique Ingres

      Born : Montauban, Tarn-et-Garonne, France

      Died : Paris, France

      Nationality :French

      Art Movement :Neoclassicism

      Field :painting,drawing

      Influenced by :nicolas-poussin

      Influenced on :tamara-de-lempicka,mark-ryden,paul-gauguin,edgar-degas,pierre-auguste-renoir

      Teachers :jacques-louis-david

      Art institution :Académie des Beaux-Arts, Paris, France,école des Beaux-Arts, Paris, France

      Jean Ingres was a French neoclassical painter, who considered himself the protector of French academic orthodoxy, and fought against the rising popularity of Romanticism. He also considered the leader of the Romantic movement, Eugene Delacroix, his artistic nemesis. Perhaps part of his vehement protection of the classical style of painting had something to do with the early termination of his education. At age 11, the French Revolution began, disrupting his traditional childhood, which became a constant source of insecurity.

      As a budding artist, Ingres was able to observe the many examples of famous artworks of Belgium, Holland, and Spain, which had been looted during the exploits of Napoleon, and were held at the Louvre. He freely borrowed from their classical interpretations and used the techniques in his own art, leading to many critics to accuse him of plundering the past. It was in this vein that his first submissions to the Paris Salon were received very poorly. Ingres’ humiliation was so deep that he vowed never to return to Paris. Throughout his early art career, his painting style, which emphasized the purity of color and did not employ the gradual shifting of color and shading as in Romantic paintings, led to many bad reviews. Ironically, it was only the Romantic artists, whom he so hated, that recognized and appreciated Ingres’s talents.

      At the end of the Napoleonic empire, Ingres found himself without patronage and penniless. He survived by illustrating drawings for English tourists, many of which rank among his best creations. In 1824, he exhibited his Vow of Louis XIII, which led to his critical acclaim and made him widely popular. Even his earlier works, which had led to his humiliation and disgrace, were held up as masterpieces, and widely distributed. There is a tale that one of Ingres favorite students, Theodore Chasseriau, whom Ingres considered one of his favorite students, upon returning to his teacher after a number of years, showed a tendency toward Romanticism. Ingres quickly disavowed his student and never spoke favorably of him again. His success has led to the legacy of Classicism versus Romanticism, and created the standard to which Classical paintings were held.

      17801867Jean Auguste Dominique Ingres118A


      Jean Auguste Dominique Ingres(1780-1867)
      新古典主義藝術家讓·奧古斯特·多米尼克·安格爾(Jean Auguste Dominique Ingres)專題網站




      • 威廉·阿道夫·布格羅
      • 讓·奧古斯特·多米尼克·安格爾
      • 鮑里斯·沙茨
      • 安東·拉斐爾·門斯
      • 賈科莫·奎朗
      • 雅克·路易·大衛
      • 克里斯蒂安·奧古斯特·洛倫茲
      • 威廉·漢密爾頓
      • 馬科斯·薩帕塔
      • 費奧多爾·阿列克謝耶夫
      • 克洛德·約瑟夫·韋爾內
      • 亞伯拉罕范斯特里


      • 克勞德·莫奈
      • 愛德華·馬奈
      • 皮耶爾·奧古斯特·雷諾阿
      • 埃德加·德加
      • 卡米耶·畢沙羅
      • 亨利·馬蒂斯
      • 讓·巴蒂斯·西美翁·夏爾丹
      • 威廉·阿道夫·布格羅
      • 讓·奧古斯特·多米尼克·安格爾
      • 讓·弗朗索瓦·米勒
      • 阿爾弗萊德·西斯萊
      • 讓·安東尼·華多