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    1. 皮爾·波納爾2664310,113267329244569288后印象派藝術家皮耶·勃納爾(Pierre Bonnard)專題網站http://img05.img.mei-shu.net/Uploads/sjmh/pierre-bonnard/pierre-bonnard_gayzq0yialg.jpg

      皮耶·勃納爾(Pierre Bonnard)

      皮耶·勃納爾(Pierre Bonnard)

      藝術家: 皮耶·勃納爾

      生于: 1867年10月03日;Fontenay aux Roses,法國塞納豪斯

      卒于: 1947年1月23日;勒卡內,法國里維埃拉,法國

      國籍: 法國

      流派: 后印象派

      領域: 繪畫,版畫

      影響: Michel Kikoine

      機構: 學院(法國巴黎美術學院,巴黎,法國

       

      《法國畫家和版畫師》是P.博納爾的后印象派,也是先鋒派樂團的創始成員。博納爾過著平安無事的童年,1896進入巴黎大學學習法律。一年后,他就讀于Academie Julian,一個自由的巴黎藝術學校,在那里他遇見了保羅·塞律西埃、Mauris Denis、Henri Ibels和保羅蘭索姆。這五位朋友,都有著相似的藝術傾向,共同組成了一批前衛后印象派畫家萊斯-納比斯。他作品的第一次展覽是在1891,在獨立沙龍和同年的第一屆Nabi作品展上。除了繪畫,邦納德還是一個多產的藝術家,生產家具和紡織品設計,木偶表演用的木偶,彩繪屏風,舞臺布景和插圖書。1900歲以后,他開始在諾曼底和巴黎之間的鄉村度過更多的時間,產生了大量的風景。從1906年開始,邦納德在一家藝術公司開始了他的年度個人展覽,這家藝術公司對他的作品擁有獨家版權,這些作品傳統上是印象派的,盡管調色板有所增強。在第一次世界大戰開始之前,博納德在歐洲和北非廣泛旅行,盡管他的畫沒有表明他在那里的經歷。第一次世界大戰的艱難困苦也同樣如此,在他的繪畫中沒有任何參照。1937年,波納德前往美國,受委托在巴黎世界博覽會上為法國館作畫。他的最后一幅畫《杏花樹》在1947去世前一周被粉刷過。在紐約,現代藝術博物館在1948展出了他的遺跡展覽,盡管他們在前一年藝術家去世前一直在籌劃這項工作,作為他第八十歲生日的慶典。

       

      Artist :Pierre Bonnard

      Additional Name :Pierre Bonnard

      Born : Fontenay-aux-Roses, Hauts-de-Seine, France

      Died : Le Cannet, French Riviera, France

      Nationality :French

      Art Movement :Post-Impressionism

      Field :painting,printmaking

      Influenced on :michel-kikoine

      Art institution :Académie Julian, Paris, France,école des Beaux-Arts, Paris, France

      A French painter and printmaker, Pierre Bonnard was a post-impressionist, and founding member of the avant-garde group Les Nabis. Bonnard lived an uneventful childhood, and entered into the University of Paris in 1896 to study law. One year later, he enrolled in the Academie Julian, a liberal Parisian art school, where he met Paul Serusier, Mauris Denis, Henri Ibels, and Paul Ransom. The five friends, all of similar artistic inclination, joined together to form Les Nabis, a group of avant-garde post-impressionist painters.

      The first exhibition of his works was in 1891, at the Salon des Independants, and the first exhibition of the work of the Nabis in the same year. In addition to paintings, Bonnard was a prolific artist, producing furniture and textile deigns, puppets for puppet shows, painted screens, stage sets, and illustrated books. After 1900, he began spending more time in the countryside between Normandy and Paris, producing a great number of landscapes. Beginning in 1906, Bonnard began his annual one-man exhibitions at an art firm that had exclusive rights to his works, which were traditionally impressionistic, albeit with an enhance color palette.

      Before the beginning of World War I, Bonnard traveled extensively throughout Europe and North Africa, although his paintings were not indicative of his experiences there. The same went for the trials and tribulations of World War I, of which there is no reference in his paintings. Bonnard continued to create major exhibitions of his work, traveling to the United States, commissioned to paint the French pavilion at the Exposition Universeilles in Paris in 1937. His last painting, The Almond Tree in Flower, was painted a week before his death in 1947. The Museum of Modern Art, in New York, exhibited a posthumous exhibition of his work in 1948, although they had been planning the work since before the artist’s death the year before, as a celebration of his 80th birthday.

      18671947Pierre Bonnard124B
      皮爾·波納爾

      皮爾·波納爾

      Pierre Bonnard(1867-1947)
      后印象派藝術家皮耶·勃納爾(Pierre Bonnard)專題網站

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