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    1. 喬治·布拉克2635810,1432673292102093788立體主義藝術家喬治·勃拉克(Georges Braque)專題網站http://img05.img.mei-shu.net/Uploads/sjmh/georges-braque/georges-braque_luttk2atukm.jpg

      喬治·勃拉克(Georges Braque)

      喬治·勃拉克(Georges Braque)

      藝術家: 喬治·勃拉克

      生于: 1882年5月13日;錯誤代碼(54000)

      卒于: 1963年8月31日;1963年31august

      國籍: 法國

      流派: 立體主義

      領域: 繪畫,雕塑

      受影響: 尼古拉斯·普桑

      影響: David Alfaro Siqueiros,Vilhelm Lundstrom,Mikhail Larionov,Carlos Nadal

      朋友: 巴勃羅·畢加索,Max Jacob

       

      喬治·布拉克是一位法國畫家和雕塑家,他是立體派發展的杰出人物。作為一個年輕的成年人,他白天作為室內畫家和裝飾師工作,與他的父親和祖父從事同樣的工作,他參加了法國勒哈弗爾美術學院的夜校。1902年,他獲得了裝飾師的證書,但仍然在亨伯特學院就讀,直到1904年。布拉克的早期作品具有印象主義色彩,但在1905年《野獸》展覽后又轉變為野獸派風格。到了1907歲,他的野獸作品就被一家獨立的沙龍展出了。立體主義的發展是在1909年布拉克會見并開始與巴勃羅·魯伊斯·畢加索合作之后不久。兩位藝術家都用單色配色和互鎖塊和復雜的形式制作了代表性的繪畫作品。1911的夏天對藝術家來說尤其富有成效。他們在法國比利牛斯山并排繪畫,創作的繪畫極難區分彼此的繪畫。他們在一起的最終結果是發展了一種新的繪畫風格,分析立體派。這兩位藝術家密切合作,直到第一次世界大戰爆發,布萊克加入了法國埃米,離開了畢加索這邊。布萊克從戰場上受了重傷,從戰爭中歸來后,他擺脫了立體派風格的粗獷的線條和尖銳的復雜性,開始用鮮艷的色彩畫出作品,最終又回到了人物身上。布拉克雖然擺脫了苛刻的線條和形式,但他從未放棄過他的立體派風格。而畢加索則自由地繪畫了許多風格,從具象主義到立體主義、超現實主義和抽象主義,而布拉克則忠實于他支離破碎的形式和同時透視。1963年他去世時,他被認為是巴黎美術學院以及現代藝術界的資深政治家之一。

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      Artist :Georges Braque

      Additional Name :Georges Braque

      Born :13 May 1882

      Died :31 August 1963

      Nationality :French

      Art Movement :Cubism

      Field :painting,sculpture

      Influenced by :nicolas-poussin

      Influenced on :david-alfaro-siqueiros,vilhelm-lundstrom,mikhail-larionov,carlos-nadal

      Friends and Co-workers :pablo-picasso,max-jacob

      A prominent figure in the development of cubism, Georges Braque was a French painter and sculptor. As a young adult, he worked during the day as a house painter and decorator, in the same line of work as his father and grandfather, and he attended evening classes at the School of Fine Arts in Le Havre, France. In 1902, he received his certificate as a decorator, but still attended art school, at the Humbert Academy, where he studied until 1904.

      Braque’s early works were impressionistic, but transitioned into a fauvist style after seeing work exhibited by the Fauves in 1905. By 1907, his fauvist works were exhibited a the Salon des Independents. The development of cubism came shortly after Braque met and began working with Pablo Picasso, in 1909. Both artists produced representative paintings with a monochromatic color scheme and interlocking blocks and complex forms. The summer of 1911 was especially fruitful for the artists. They painted side by side in the French Pyrenees, producing paintings that extremely difficult to differentiate each other’s paintings. The ultimate result of their time together was the development of a new style of painting, Analytic Cubism.

      The two artists worked closely together until the outbreak of World War I, upon which Braque joined the French Amy and left Picasso’s side. After his return from the war, in which he was seriously wounded in the battlefield, Braque moved away from the harsh lines and sharp pointed complexity of the cubist style, and instead began to paint pieces with bright colors and eventually return to the human figure.

      Although he departed from his harsh lines and forms, Braque never abandoned his cubist style. Whereas Picasso freely painted in many styles, from representational to cubist, surreal, and abstract, Braque held true to his fragmented forms and simultaneous perspective. By the time of his death in 1963, he was regarded as one of the elder statesmen of the School of Fines art in Paris, as well as in modern art.

      18821963Georges Braque127B
      喬治·布拉克

      喬治·布拉克

      Georges Braque(1882-1963)
      立體主義藝術家喬治·勃拉克(Georges Braque)專題網站

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